Shrinking and enlarging potions are found early on, as well.īut as fun as some of those gameplay concepts may seem, Disney’s implementation manages to make puzzle-solving feel more like a chore than fun. Mirrors-looking glasses-enable Alice to pass between worlds, and the game repeatedly has you reconstructing broken mirrors from pieces scattered across the stages. You control Alice, who moves primarily from left to right through flat 2-D worlds, interacting with simple platforming puzzles that require you to switch characters: the March Hare will pull boxes or platforms from one place to another, enabling you to reach heights, the White Rabbit can freeze or unfreeze items in time, the “invisible” Cheshire Cat can make items appear and disappear, and the Mad Hatter can shift items from Wonderland to its darker mirror image world. It’s based on the widely anticipated Tim Burton film of the same name, and though it has some of the expected elements-creepy Danny Elfman music, the Cheshire Cat, two rabbits, and the Mad Hatter-it’s ultimately a dull, stilted game with little of the dramatic visual appeal found in the movie’s trailers. Disney’s Alice in Wonderland – An Adventure Beyond The Mirror ($5) isn’t one of the great ones, or even the good ones.
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Games based on movies, TV shows, and comic books have built-in audiences that enable developers-at least, some developers-to skimp on the sort of polish that differentiates truly great titles from good or average ones for that reason, it’s rare that a licensed game, such as the recent console release Batman: Arkham Asylum, is ever universally lauded as fantastic. Alice in Wonderland – An Adventure Beyond The Mirror, and Lite
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